Travels in Western Australia being a description of the various cities and towns, goldfields, and agricultural districts of that state — Themes and Context
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arly suitable for vine culture. Her goldfields may in time be exhausted, her forests may be converted into timber, but the soil will always remain and vines will always grow as long as the sun shines to mature the grapes for wine to make glad the heart of man. Almond-trees also grow wonderfully well, and tons of almonds are sent every year from Katanning to different parts of the colonies.
One very great feature connected with fruit farming in Western Australia is that there are no fruit pests in the colony, no phylloxera, no codlin moth, and no nasty little fruit-fly to spoil the growth of things. Every care is taken that nothing of the kind shall be brought here from other places, all fruit being rigorously examined by experts before being passed by the Customs.
Seated behind a fast pair of Australian brumbys—(these horses, called by the natives Warrigals, are very hardy animals, and are well known to go longer distances without nourishment of any sort than any others of their kind; when proper food is unobtainable, they can subsist on the driest of spinifex grass, or scrub, and what would kill other horses does not seem materially to injure them)—I had a lovely drive over Mr. Piesse’s properties. One splendid field of wheat, 300 acres in extent, was a great sight. As far as the eye could reach this field, with its magnificent crop, waved before the breeze. We had passed the orchard with its acres of fruit-trees bending beneath the weight of fruit. Then we came to the vines with their rich and luscious grapes, then—a complete and charming change of scene—to the cornfield. On the far side of the field two waggons, each drawn by nine horses and laden with a tremendous load of produce of the glorious earth, were wending their way to the mill, which was seen in the distance on the other side. A forest of trees, white gum, York gum, and raspberry wood, sent a subtle perfume through the air. Opening a large white double gate (one of many), we drove right through the pretty cornfield, and one could imagine the feelings of Bobby Burns when he wrote his exquisite poem, “When the corn is waving, Annie dear.” Returning on the other side of the field, a pretty view is seen of the village of Katanning bathed in the golden sunlight.
We passed the model farm of Mr. Stanbury and came to Mr. Piesse’s splendid and most interesting mill: all the very newest machinery for turning the ripe corn into flour is here. I thought of our ancestors crushing wheat between stones, and watched the beautiful white stuff coming down the huge cylinders, automatically filling the corn sacks and coming to a dead stop when full, with no assistance from the human hand, while the man who had placed the sack on the cylinder stood by sewing up with twine the last one filled. The click came to notify that a bag was full; it was taken off, and another put on to go through the same process. Tons of refuse from the wheat were being thrown out, and on my asking what was done with it, Mr. Piesse said that it was given to the pigs. This splendid mill was built in 1891, but, in consequence of the rush to goldfields which broke out in 1893, lay idle for nearly two years, all the produce being wanted for chaff, which could not be cut quick enough for the demand.
A great deal of land-clearing is going on in the different selections, and it is interesting to see the forest devil or tree-puller at work. This operates by means of a chain placed round the tree and a lever worked by a man; in about 15 minutes a great tree will come up root and branch, and fall never to rise again.
May Vivienne's account of Western Australia opens with a dedication to Sir John Forrest and an author's note insisting on the accuracy of her statements about mines, timber, and agriculture. The excerpts show a traveler who drives alone through the bush, accepts hospitality from mine managers, and records both the landscape and the social fabric of remote settlements. Her voice is direct and unpretentious, mixing practical details—a broken buggy, a cup of tea—with moments of genuine wonder at gold specimens. The narrative moves between personal experience and factual reporting, a blend that shapes the reader's encounter with the colony.
A Self-Reliant Traveler in the Bush
The excerpts reveal a narrator who travels alone, driving a buggy through unfamiliar country. When she loses her way near Coolgardie, she asks prospectors for directions, refuses an escort, and later drives off by a different road to see the township of Londonderry. Her independence is notable: she notes that a portion of the buggy gave way, yet she continues until she reaches the mine. The manager sends the buggy to the blacksmith and the horse to the stables, and she accepts tea and cakes while waiting. This pattern—solo travel, reliance on local aid, and a matter-of-fact tone—recurs throughout the excerpts.
Mine Visits and Gold Specimens
At the Londonderry mine, Vivienne describes the manager unlocking an iron safe to show her gold. She quotes Shakespeare's Benedick: “I did not think that I should live to see such gold.” One block of white quartz was “thickly studded with gold in nuggets all over it.” She tried to pick one off but found it firmly embedded. The mine itself is described as “the brightest-looking I have seen,” with a spick-and-span appearance, a comfortable manager's house, a store, and a blacksmith's shop. These details ground the narrative in specific, verifiable observation rather than general praise.
Infrastructure and Social Life at Londonderry
After leaving the mine, Vivienne drives through the township of Londonderry, noting its wide principal street, post-office, store, hotel, church, and a recreation-ground where miners played cricket. The men at tidy camps “all came out and bade me a cheery good-bye.” She observes the town's layout and amenities, then follows the telegraph-line back to Coolgardie. The evening breeze rises, and she drives on “quite happily” until meeting two swagmen who look at her so hard that she whips up the horse. This juxtaposition of comfort and unease typifies her narrative.
The Author's Stated Purpose and Reliability
In her author's note, Vivienne assures readers that her statements about mines, timber, and agricultural produce are “absolutely devoid of exaggeration” and “capable of being easily verified.” She hopes the volume will induce people not only to visit but to settle in Western Australia. The excerpts support this claim: she names specific mines (Londonderry, Bayley's), describes ore specimens, and notes the presence of felspar for glass-making. Her narrative is both a travelogue and a practical guide, blending personal anecdote with factual reporting.
Readers approaching this work should attend to the interplay between Vivienne's personal experiences and her factual claims. The excerpts show a writer who is both a participant and an observer, willing to record her own uncertainties—losing the way, a broken buggy, unease at strangers—alongside detailed descriptions of mines and towns. This dual perspective gives the narrative its particular texture, inviting the reader to trust her account while recognizing the limits of any single traveler's view.
I keep thinking about May Vivienne’s quiet determination, alone on those dusty tracks, jotting down waterholes and publicans’ names. There’s a similar unhurried intimacy in A Walk from London to Fulham — Story, Setting & Ideas, that sense of one person simply noting what passes. Both feel like letters to a friend, not guides. That pacing stays with me.
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