A Walk from London to Fulham — Story, Setting & Ideas

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Croker, Thomas Crofton, 1798-1854, Croker, T. F. Dillon (Thomas Francis Dillon), 1831-1912 [Editor], Fairholt, F. W. (Frederick William), 1814-1866 [Illustrator] Project Gutenberg 2009 Not confirmed
London (England) -- Description and travel Readers of public-domain and historical texts
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Edition facts

Words 64,632
Reading time 282 min
Text sections 9

The catalog record for A Walk from London to Fulham — Story, Setting & Ideas provides practical reading context through 64,632 words, 4 hr 42 min estimated reading time, and 9 detected text sections.

The text analysis averages about 21.0 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “London (England) -- Description and travel,” connecting these edition facts with the source record’s subject description.

A mid-19th-century perambulation from London to Fulham, revised by the author's son, blending antiquarian footnotes, topographical description, and commentary on suburban change, with illustrations by F.W. Fairholt.
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be supposed, after the novelty has worn off, from the different ways by which he can shape his course, to find little interest in his monotonous movement. Indeed, I have heard many who live a short distance from town complain of this swinging backwards and forwards, or, rather, going forwards and backwards over the same ground every day, as dull and wearisome; but I cannot sympathise with them. On the contrary, I find that the more constantly any particular line of road is adhered to, the more intimate an acquaintance with it is formed, and the more interesting it becomes.

In some measure, this may be accounted for by studious habits; a tolerable memory, apt to indulge in recollections of the past, and to cherish rather than despise, when not impertinent, local gossip, which re-peoples the district with its former inhabitants,—

“Sweet Memory! wafted by thy gentle gale Oft up the tide of time I turn my sail, To view the fairy haunts of long-lost hours Blest with far greener shades—far fresher flowers.”

“We have all by heart,” observes the author of the _Curiosities of Literature_, “the true and delightful reflection of Johnson on local associations, where the scene we tread suggests to us the men or the deeds which have left their celebrity to the spot. ‘We are in the presence of their fame, and feel its influence.’” How often have I fancied, if the walls by which thousands now daily pass without a glance of recognition or regard, if those walls could speak, and name some of their former inmates, how great would be the regret of many at having overlooked houses which they would perhaps have made a pilgrimage of miles to behold, as associated with the memory of persons whose names history, literature, or art has embalmed for posterity, or as the scene of circumstances treasured up in recollection!

If the feelings could be recalled, and faithfully recorded, which the dull brick walls that I cannot help regarding with interest must have witnessed, what a romantic chapter in the history of the human mind would be preserved for study and reflection!—

“Ay, beautiful the dreaming brought By valleys and green fields; But deeper feeling, higher thought, Is what the City yields.”

The difficulty, however, is incredible of procuring accurate information as to any thing which has not been chronicled at the moment. None but those who have had occasion to search after a date, or examine into a particular fact, can properly estimate their value, or the many inquiries that have to be made to ascertain what at first view would appear to be without embarrassment,—so deceptive is the memory, and so easy a thing is it to forget, especially numbers and localities, the aspect and even names of which change with a wonderful degree of rapidity in the progress of London out of town. Thus many places become daily more and more confused, and at last completely lose their identity, to the regret of the contemplative mind, which loves to associate objects with the recollection of those who “have left their celebrity to the spot.”

These considerations have induced the writer to arrange his notes, and illustrate them by such sketches as will aid the recognition of the points mentioned, the appearance of which must be familiar to all who have journeyed between London and Fulham,—a district containing, beside the ancient village of that name, and remarkable as adjacent to the country seat of the Bishop of London, two smaller villages, called Walham Green and Parson’s Green. The former of which stands on the main London road, the latter on the King’s Road,—which roads form nearly parallel lines between Fulham and the metropolis. For all information respecting the neighbourhood of Knightsbridge the reader may be referred to a recently published work “The Memorials of the Hamlet of Knightsbridge, with notices of its immediate neighbourhood,” by the late Henry George Davis, edited by Charles Davis (Russell Smith).

From Knightsbridge, formerly a suburb, and now part of London, the main roads to Fulham and Hammersmith branch off at the north end of Sloane Street (about a quarter of a mile west of Hyde Park Corner), thus:—

And at the south termination of Sloane Street, which is 3,299 feet in length, the King’s Road commences from Sloane Square.

This volume collects a series of papers originally published in Fraser's Magazine, revised and expanded by the author's son, T. F. Dillon Croker, who notes that 'many important changes on the road' have occurred since the original walk. The editor's preface explicitly frames the work as 'an interesting and acceptable record of many places no longer in existence,' positioning it as a preservationist document rather than a simple travelogue. The text is accompanied by illustrations by F. W. Fairholt and includes a memoir of the elder Croker, tracing his antiquarian pedigree back to the battle of Agincourt.

Antiquarian Voice and Editorial Intervention

The elder Croker's voice is that of a cautious antiquary: he refrains from 'placing before the reader my antiquarian ruminations' on the Anglo-Saxon origin of 'Wandsworth,' noting that 'few things are more fascinating and deceptive than verbal associations.' Yet the text is punctuated with such speculations, alongside detailed footnotes referencing medieval poems and historical documents. The son's editorial additions are visible in the preface's lament for 'narrow lanes' replaced by 'fine roads' near the South Kensington Museum, and in the inclusion of later events like the 1827 consecration of St. John's chapel at Walham Green. The result is a layered account where two generations of observation coexist.

Suburban Transformation at Walham Green

A sustained passage on Walham Green illustrates the book's preoccupation with change. The author records the demolition of 'some ancient houses, erected in 1595' in 1812, followed by the filling of a pond, the building of a chapel-of-ease (costing £9683 17s. 9d.), a charity school on former donkey-grazing land, and the relocation of the parish pound. He notes the loss of a local joke—'Did you ever see the baskets sold by the pound?'—and the rise of 'fancy-fairs and bazaars' patronized by omnibus companies. The section culminates in a 1749 poem by Bartholomew Rocque apostrophizing Walham Green as a horticultural paradise, contrasting past rurality with present suburbanization.

Topographical Specificity and Social Observation

The walk is anchored in precise locations: the mansion of Lord Ravensworth, 'small and unostentatious' yet visited by Queen Victoria and Prince Albert in 1840; the Red Lion inn; the house where Mr. Oliver Pitts carried on business as a builder. The author notes social gradations—the 'belles, beaux, and statesmen' of Rocque's poem were actually new flower varieties—and economic details, such as the estimated cost of the chapel. The text's index lists both places and persons, reflecting its dual function as a guidebook and a repository of local memory. The narrative moves from street-level observations to antiquarian digressions, creating a dense fabric of suburban history.

Readers should approach this work as a hybrid: part perambulatory essay, part antiquarian scrapbook, part record of a vanished landscape. The editor's note warns that the route has been 'very materially increased' from the original magazine series, so the text contains multiple temporal layers. The illustrations by Fairholt, though not excerpted here, are integral to the project of preserving what was disappearing even as Croker wrote.

Reading A Walk from London to Fulham, I found myself lingering over the footnotes, the odd antiquarian asides. That same gentle, wondering spirit of striving to capture a changing landscape came back to me while leafing through a Norwegian travel memoir, The Oxonian in Thelemarken, volume 1 (of 2) or, Notes of travel in south-western Norway in the summers of 1856 and 1857. With glances at the legendary lore of that district. — Reading Notes. Both feel like quiet company, their authors walking beside you.

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