The Roof of France; Or, the Causses of the Lozère — Reading Companion

(0 User reviews)   996
In Category - Places Peoples
Betham-Edwards, Matilda, 1836-1919 Project Gutenberg 2005 Not confirmed
Lozère (France : Dept.) -- Description and travel Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 60,072
Reading time 262 min
Text sections 5

Before opening The Roof of France; Or, the Causses of the Lozère — Reading Companion, the edition data offers a quick orientation: 60,072 words, 4 hr 22 min estimated reading time, and 5 detected text sections.

The text analysis averages about 23.0 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Lozère (France : Dept.) -- Description and travel,” connecting these edition facts with the source record’s subject description.

Matilda Betham-Edwards's 1889 travelogue explores the limestone plateaus of Lozère, contrasting arid causses with fertile valleys. Her prose captures geological strangeness, local hospitality, and the region's isolation through precise observations of landscape, customs, and language.
Share
Editorial Edition Score 4.7/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

The traveller in France will not unseldom liken his fortunes to those of Saul the son of Kish, who, setting forth in search of his father's asses, found a kingdom; or, to use a homelier parable, will compare his case to that of the donkey between two equally-tempting bundles of hay.

Such, at least, was my luck when starting for my annual French tour in 1887. I had made up my mind to see something of the Lozère and the Cantal, settling down in two charming spots respectively situated in these departments, when, fortunately for myself, I was tempted elsewhere. Instead of rusticating for a few weeks in the country nooks alluded to, there observing leisurely the condition of the peasants and of agriculture generally, I took a contrary direction, thus ultimately becoming acquainted with one of the most romantic and least-known regions of Central France.

'Since you intend to visit the Lozère' wrote a correspondent to me, 'why not explore the Causses? The scenery is, I believe, very remarkable, and the geology deeply interesting.'

The Causses? the Causses? I had travelled east, west, north, south on French soil for upwards of thirteen years, yet the very name was new to me. Having once heard of the Causses, it was, of course, quite certain that I should hear of them twice.

Meeting by chance a fellow-countryman at Dijon, as enthusiastic a lover of French scenery as myself, and comparing our experiences, he suddenly asked:

'But the Causses? Have you seen the wonderful Causses of the Lozère?'

It was a curious and highly-characteristic fact that both my informants should be English, thus bearing out the assertion of an old French writer, author of the first real tourist's guide for his own country, that we are 'le peuple le plus curieux de l'Europe'; he adds, 'le plus observateur,' perhaps a compliment rather paid to Arthur Young than to the English as a nation. The work I refer to ('Itinéraire descriptif de la France,' by Vaysse de Villiers, 1816) was evidently written under the inspiration of our great agriculturist.

From French friends and acquaintances I could learn absolutely nothing of the Causses. The region was a _terra incognita_ to one and all. I might every whit as well have asked my way to Swift's Liliputia or Cloud Cuckoo Town, and the Island of Cheese of his precursor, the witty Lucian. People _had_ heard of l'Ecosse; oh yes! but why an Englishwoman should seek information about Scotland in the heart of France, they could not quite make out.

There was nothing for me to do but trust to happy chance and the guide-book, and set out; and as a stray swallow is the precursor of myriads, so no sooner had I got an inkling of one marvel than I was destined to hear of half a dozen.

Wonderful the scenery of the Causses, still more wonderful the cañon or gorge of the Tarn and the dolomite city of Montpellier-le-Vieux, so I now learned.

There were difficulties in the way of seeing all these. I had been unexpectedly detained at Dijon. It was the second week in September, and the Roof of France--in other words, the department of the Lozère--is ofttimes covered with snow before that month is out. My travelling companion was a young French lady, permitted by her parents to travel with me, and for whose health, comfort and safety I felt responsible. It seemed doubtful whether this year at least I should be able to realize my new-formed project, and penetrate into the solitudes of the Causses. However, I determined to try.

My journey begins at the ancient town of Le Puy, former capital of the Vivarais, chef-lieu of the department of the Haute Loire, and, it is unnecessary to say, one of the most curious towns in the world. We had journeyed thither by way of St. Étienne, and were bound for Mende, the little mountain-girt bishopric and capital of the Lozère.

We had to be up betimes, as our train for Langogne, corresponding with the Mende diligence, started at five in the morning. It might have been midnight when we quitted the Hôtel Gamier--would that I could say a single word in its favour!--so blue black the frosty heavens, so brilliant the stars, the keen September air biting sharply.

Betham-Edwards opens with a bold claim: she is introducing readers to “something absolutely new.” The Roof of France is not a conventional travel book but a geological and cultural exploration of the Causses—limestone tablelands she likens to “a veritable archipelago, once an integral whole, now cleft asunder.” Her diction immediately establishes the region as both sublime and alien: the plateaus are “stony wastes, aridity itself, yet a carpet of wild-flowers in spring,” while the valleys offer “smilingness, fertility, and grace.” This contrast becomes the book’s structural rhythm.

Throughout, the author’s voice is that of a curious, observant outsider. She notes the “affability, dignity, and uprightness” of the mountaineers, and records with amusement a chambermaid’s astonishment that two Englishwomen would cross the sea “pour s’instruire.” Such details reveal her interest in how place shapes character and perception.

A Landscape of Extremes

Betham-Edwards repeatedly emphasizes the dramatic shifts between the high causses and the river-cut gorges. On the plateau, she writes, “winter lasts eight months, and the short summer is tropical.” The soil yields only oats, rye, and potatoes; “not a blade of wheat, not an apple-tree is to be discerned.” To prevent travelers from losing their way in snow, trees and poles line the roads. This is a landscape that demands adaptation.

Descending into the valleys, the scene transforms: “the peach, the almond, the grape ripen out of doors.” The author’s descriptions are precise and sensory—she notes the “flash of gold” in a silk factory, the “nest of greenery” around a spa. Her eye for such contrasts gives the travelogue a geological and human coherence.

Encounters with Locals

The author’s interactions with residents reveal a deep respect for their independence and generosity. At a silk factory in Le Vigan, she and her companion are treated “as guests in a country house rather than Nos. 1 and 2 of an ordinary hotel.” A chambermaid, dressed in her Sunday best, proudly introduces them to friends as Englishwomen who have come “pour s’instruire.” Betham-Edwards notes that crossing the English Channel impresses French country folk far more than a long overland journey would.

Such episodes are not sentimentalized. The author records the “dull and monotonous” workroom of the silk factory, where “hundreds of shuttles are swiftly plied” amid bowls of hot water. She balances admiration for the people’s “good looks, rich colouring, fine stature, and dignified bearing” with an awareness of their hard lives.

The Authorial Voice: Curiosity and Restraint

Betham-Edwards writes as a self-consciously English observer, but she avoids condescension. Her tone is that of a diligent student: she coins the word “makable” to describe promising but undeveloped spots, and she speculates that France will soon be “too narrow for its own tourists.” She is willing to admit ignorance—the Causses are “absolutely new” to most readers—and she lets the landscape speak for itself.

Her prose is economical and concrete. She describes the Causses as “wide in extent as Dartmoor, lofty as Helvellyn,” grounding the unfamiliar in English reference points. She also includes a footnote deriving “Causses” from the Latin calx (lime), signaling her interest in etymology and geology. These choices give the narrative an authoritative yet accessible texture.

Structure and Journey

The book is divided into two journeys, each with its own itinerary. Part I moves from Le Puy to Mende, then to the Causses, Rodez, and Aurillac. Part II begins in the Morvan, travels down the Rhône to Avignon, and then explores the Tarn gorges and Montpellier-le-Vieux. This dual structure allows Betham-Edwards to compare regions and to return to places with a deeper understanding.

Each chapter is a discrete episode, but the overall arc is one of gradual discovery. The author does not claim to have exhausted the subject; she presents the Causses as a phenomenon “unique in geological history” that rewards repeated visits. Her closing chapters, including a breakfast on the banks of the Saône, suggest a journey that ends not with a conclusion but with a lingering appetite for more.

Betham-Edwards’s The Roof of France rewards readers who enjoy precise observation and a patient, unhurried narrative. The author’s willingness to let the landscape and its people take center stage—rather than her own reactions—makes this a travelogue of unusual integrity. For those interested in nineteenth-century French rural life, geology, or the craft of travel writing, the book offers a vivid, unsentimental portrait of a region that remains, even today, off the beaten path.

Standing on those high limestone shelves, I remembered my own quiet afternoon in the Italian Alps, the same sensation of stone holding time. Betham-Edwards found solitude in the Lozère’s emptiness, much as I did turning through Twilight in Italy, where landscape becomes a slow, private conversation. It’s that hush between rocks and memory. Twilight in Italy — Themes and Context

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

Your personal reading reflection

Build a private reading journal entry for this title.

Your progress 0 / 10
1

Where are you in your reading?

2

How much did you enjoy the reading experience?

3

Is this a title you would suggest to others?

4

What was the reading difficulty like?

Related eBooks