In Troubadour-Land: A Ramble in Provence and Languedoc — Themes and Context
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This digital edition of In Troubadour-Land: A Ramble in Provence and Languedoc — Themes and Context is described by source-level measurements including 87,057 words, 6 hr 19 min estimated reading time, and 8 detected text sections.
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Project Gutenberg metadata also associates the work with “Provence (France) -- Description and travel,” connecting these edition facts with the source record’s subject description.
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The Tiber in Flood--Typhoid fever in Rome--Florence--A Jew acquaintance--Drinking in Provence--Buying _bric-à-brac_ with the Jew--the _carro_ on Easter Eve--Its real Origin--My Jew friend's letters--Italian _dolce far niente_
No ill without a counterbalancing advantage--An industry peculiar to Italy--Italian honesty--Buffalo Bill at Naples--The Prince and the straw-coloured gloves--The Riviera--A tapestry--Nice--Its flowers--Notre Dame--The château--My gardener--A pension of ugly women--Horses and their hats--Antibes--Meeting of Honoré IV. and Napoleon--The Grimaldis--Lérins, an Isle of Saints--A family jar--Healed
The freedman of Pliny--Forum Julii--The Port of Agay--The Port of Fréjus--Roman castle--Aqueduct--The lantern of Augustus--The cathedral--Cloisters--Boy and dolphin--Story told by Pliny--The _Chains des Maures_--Désaugiers--Dines with the porkbutchers of Paris--Siéyès--_Sans phrase_--Agricola--His discoveries
The three islands Phoenice, Phila, Iturium--Marseilles first a Phoenician colony--The tariff of fees exacted by the priests of Baal--The arrival of the Ionians--The legend of Protis and Gyptis--Second colony of Ionians--The voyages of Pytheas and Euthymenes--Capture of Marseilles by Trebonius--Position of the Greek city--The Acropolis--Greek inscriptions--The lady who never "jawed" her husband--The tomb of the sailor-boy--Hôtel des Négociants--Ménu--Entry of the President of the Republic--Entry of Francis I.--The church of S. Vincent--The cathedral--Notre Dame de la Garde--The abbey of S. Victor--Catacombs--The fable of S. Lazarus
The Basin of Berre--A neglected harbour--The diluvium--Formation of the Crau--The two Craus--Canal of Craponne--Climate of the Crau--The _bise_ and _mistral_--Force of the wind--Cypresses--A vision of kobolds
Difficulty of finding one's way about in Arles--The two inns--The _mistral_--The charm of Arles is in the past--A dead city--Situation of Arles on a nodule of limestone--The Elysian Fields--A burial-place for the submerged neighbourhood--The Alyscamp now in process of destruction--Expropriation of ancient tombs--Avenue of tombs--Old church of S. Honoré--S. Trophimus--S. Virgilius--Augustine, apostle of the English, consecrated by him--The flying Dutchman--Tomb of Ælia--Of Julia Tyranna--Her musical instruments--Monument of Calpurnia--Her probable story--Mathematical _versus_ classic studies--Tombs of _utriculares_--Christian sarcophagi--Probably older than the date usually attributed to them--A French author on the wreckage of the Elysian Fields
The Arles race a mixture of Greek and Gaulish--The colonisation by the Romans--The type of beauty in Arles--The amphitheatre--A bull-baiting--Provençal bull-baits different from Spanish bull-fights--The theatre--The ancient Greek stage--The destruction of the Arles theatre--Excavation of the orchestra--Discovery of the Venus of Arles--A sick girl--Palace of Constantine
Sunday in France--Improved observance--The cathedral of Arles--West front--Interior-Tool-marks--A sermon on peace--The cloisters--Old Sacristan and his garden--Number of desecrated churches in Arles--Notre Dame de la Majeur--S. Cæsaire--The isles near Arles--Cordes--Montmajeur--A gipsy camp--The ruins--Tower--The chapel of S. Croix
The chain of the Alpines--The promontory of Les Baux--The railway from Arles to Salon--First sight of Les Baux--The churches of S. Victor, S. Claude, and S. Andrew--The lords of Les Baux claimed descent from one of the Magi--The fair maid with golden locks--The chapel of the White Penitents--The _deïmo_--History of the House of Les Baux--The barony passes to the Grimaldi--The ladies of Les Baux and the troubadours--Fouquet--William de Cabestaing--The morality of the loves of the troubadours--The Porcelets--Story of a siege--Les Baux a place of refuge for the citizens of Arles--_Glanum Liviæ_--Its Roman remains--In the train--Jäger garments
THE CAMPAIGN OF MARIUS.
The Trémaïé--Representation of C. Marius, Martha, and Julia--The Gaïé--The Teutons and Ambrons and Cimbri threaten Italy--C. Marius sent against them--His camp at S. Gabriel--The canal he cut--The barbarians cross the Rhone--First brush with them--They defile before him at Orgon--The rout of the Ambrons at Les Milles--He follows the Teutons--The plain of Pourrières--Position of Marius--The battle--Slaughter of the Teutons--Position of their camp--Monument of Marius--Venus Victrix--Annual commemoration
The fortifications of Trets--The streets--The church--Roman sarcophagus--Château of Trets--Visit to a self-educated archæologist--His collection made on the battle-field--Dispute over a pot of burnt bones--One magpie--Gardanne--The church--A vielle--Trouble with it--Story of an executioner's sword
Dooll, but the mutton good--Les Bains de Sextius--Ironwork caps to towers--S. Jean de Malthe--Museum--Cathedral--Tapestries and tombs--The cloisters--View from S. Eutrope--King René of Anjou--His misfortunes--His cheeriness--His statue at Aix--Introduces the Muscat grape
Formation of the delta of the Rhone--The diluvial wash--The alluvium spread over this--The three stages the river pursues--The zone of erosion--The zone of compensation--The zone of deposit--River mouths--Estuaries and deltas--The formation of bars--Of lagoons--The lagoons of the Gulf of Lyons--The ancient position of Arles between the river and the lagoons--Neglect of the lagoons in the Middle Ages--They become morasses--Attempt at remedy--Embankments and drains--A mistake made--The Camargue now a desert--Les Saintes Maries--No evidence to support the legend--Based on a misapprehension
Position of Tarascon and Beaucaire opposite each other--Church of S. Martha--Crypt--Ancient paintings--Catechising--Ancient altar--The festival of the Tarasque--The Phoenician goddess Martha--Story of S. Fronto--Discussion at _déjeûner_ over the entry of M. Carnot into Marseilles--The change in the French character--Pessimism--Beaucaire--Font--Castle--Siege by Raymond VII.--Story of Aucassin and Nicolette
Baring-Gould opens his preface by acknowledging the glut of guidebooks—Murray, Baedeker, Guide Joanne—and admits his own account must lean on personal incident. The result is a travel narrative that treats the catalog subjects of Provence and Languedoc less as a systematic survey than as a stage for the author's comic misadventures and antiquarian asides. The sword he carries through customs, the seasick episode on deck, and the parson who stayed at a retreat only for the mutton are not digressions from the geography but the book's actual substance.
Personal Incident as Travel Method
The preface explicitly warns that the author will give “much of personal incident” because the guidebooks already cover antiquities and scenery. Baring-Gould follows through: the journey is structured around mishaps—a sword that won't fit in a hansom cab, a detective tailing him from the dock, a bout of seasickness that reduces him to “a pasty face, blear-eyes, liver-coloured lips.” These episodes are not filler; they are the organizing principle. The sword, bought as a curio, becomes a running gag and a symbol of the traveler's awkwardness. The author's voice is consistently self-mocking, as when he imagines swallowing the sword for stamina but doubts he could keep it down. This approach means the reader learns more about the author's temperament than about Roman aqueducts or cathedral floor plans.
The Limits of Catalog Geography
The catalog subjects—Provence and Languedoc description and travel—suggest a straightforward regional survey. But the excerpts show Baring-Gould repeatedly sidestepping systematic description. In the chapter on Aix, he devotes more space to a story about a “heavy-souled parson” at a retreat than to the city's Roman baths or King René's statue. The mutton anecdote is used as a punchline for his own stay at the Hôtel des Bain de Sextius, where he found the company “dooll, varry dooll.” When he does describe sights, he often defers to the guidebooks: “all the information he intended to give in Murray or in Bædeker or Joanne.” The text thus operates in the gaps left by those authorities, filling them with personal reaction rather than factual inventory.
Voice and the Unreliable Traveler
Baring-Gould's narrative voice is that of a genial, slightly disreputable antiquarian. He admits to buying bric-à-brac with a Jewish acquaintance, losing curiosities to thieves, and being mistaken for a “dynamitard” by police. His self-presentation undercuts any claim to authoritative travel writing. The sword episode is emblematic: he arrives in London “looking like a dynamitard every inch,” is searched, and followed. The sword ends up “lodged on my staircase,” a trophy of incompetence. This persona shapes the reader's expectations: the book is not a reliable guide to Provence and Languedoc but a performance of the traveler's own eccentricity. The catalog subjects, then, are a frame for a comic monologue about the difficulties of being a tourist with a sword.
Readers expecting a conventional travelogue will find instead a book that treats geography as a pretext for anecdote. Baring-Gould's method rewards those who enjoy the author's company more than those seeking systematic information. The sword, the seasickness, and the mutton are the real itinerary. Approach the text as a period piece of Victorian travel humor, and its digressions become the point.
There’s something about Baring-Gould’s rambles, half-lost and grumbling, that stays with you—the way he lets a ruined abbey or a peasant’s tale delay the path. It makes me think of his Yorkshire book, a quieter sort of wandering over moors, where the weather does the talking. Yorkshire—Coast and Moorland Scenes — Context and Discussion feels like the same old friend, just further north and a bit more windswept.
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