Across the Equator: A Holiday Trip in Java — Themes and Context
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For Across the Equator: A Holiday Trip in Java — Themes and Context, the stored edition analysis reports 23,499 words, 1 hr 43 min estimated reading time, and 3 detected text sections.
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ere was not much of interest on the morning run to Buitenzorg, but the Dutch lady who carried on an animated conversation with four gentlemen for the whole of the hour and a half introduced to us the possibilities for expression in the Dutch equivalents of "Yes" and "No."
We had been prepared by Miss Scidmore's book for the beauties of Buitenzorg, and for once expectation was more than realised.
The Dutch Governor-General van Imhoff was certainly well advised when he selected this position as the official residence of the Governor-General, and the Dutch horticulturists, than whom there are probably none better, deserve to be congratulated upon the garden city they have created out of the primeval jungle.
Part of the old palace was built by Governor-General Mossel, one hundred and fifty years ago, and the original received additions during the reigns of Daendels and Raffles. This structure was destroyed by an earthquake in 1834, and the new palace, the first glimpse of which one receives across an artificial lake, is a worthy residence for the administrator of the Dutch Indies. The surface of the lake is studded with lotus flowers and victoria regia, and the little island in the centre displays a wealth of the red or rajah palm, feathery yellow bamboo, and dark-green foliage which the lake mirrors in ever-changing pictures.
An Alma Tadema or a Marcus Stone would revel in the flowers and marbles of the palace, with its broad stairs and corridors and fine Ionian columns and cornices; and a Landseer or a MacWhirter might find endless subjects in the deer park by which it is surrounded.
The garden is a botanist's paradise. Tropical treasures from Nature's storehouse, collected by successive Directors, are arranged with care and precision characteristically Dutch. It was established in 1817 by Professor Reinwardt, and many distinguished botanists who have left their mark in the scientific world studied here and added to the collections. As may be imagined, the Dutch were not content with a mere show place for tropical specimens, and they established five mountain gardens where experiments are conducted, for practical and scientific purposes, in the cultivation of flowers, plants, vegetables and trees usually found in temperate regions. These gardens are situated in the mountains to the south--at Tjipanas, Tjibodas, Tjibeureum, Kadang Badoh, and on the top of Mount Pangerango, that is to say, at heights ranging from 3,500 ft. to 10,000 ft. The garden at Tjibodas remains, and at the Governor-General's summer villa at Tjipanas one might imagine one's-self in a private garden in Surrey or Kent.
In the buildings at Buitenzorg, facilities are afforded for foreign students, and at the time of our visit a Japanese Professor, from the Tokio University, who had studied for three and a half years in Berlin, was making an exhaustive investigation on scientific lines. Everything that can be of service to students of botany is to be found here in the museum, herbarium and library.
The general herbarium has been arranged on the Kew model. Besides a large collection of plants made by Zollinger between 1845 and 1858, it contains the valuable collections gathered by Teysmann, between 1854 and 1870, throughout the Malay Archipelago. Specimens by Kurz and Scheffer are also found, together with other recent collections of plants from Borneo and adjacent islands. Duplicates from the Herbarium at Kew Gardens and from several of the more famous European herbaria are to be found here, as well as numerous specimens from the botanical institutions of the British Colonies.
The Herbarium Horti contains the necessary materials for the compilation of the new catalogue of the Botanic Gardens, and the Herbarium Bogoriense contains plants to be found in the neighbourhood of Buitenzorg.
Besides specimens of fruits, there is a comprehensive technical collection in the Botanical Museum--fibres, commercial specimens of rattan, india-rubber, and gutta-percha, barks for tanning purposes, Peruvian barks, vegetable oils, indigo samples, various kinds of meal, resins and damars. There is also a section devoted to forest and staple produce.
Fuller details of the gardens and environs of Buitenzorg may be found in the handbook published by Messrs. G. Kolff and Co., Batavia.
One need not be wholly a scientific investigator to appreciate the beauties of Buitenzorg. There is here one view which has been described over and over again, oftentimes in the language of hyperbole--the view of the Tjidani Valley from the verandah of Bellevue Hotel. It is, indeed, difficult to avoid the use of extravagant language in the attempt to describe this beauty spot of Nature.
Though he was writing of a beautiful woman, F. Marion Crawford might have been describing some beautiful landscape when he wrote in his own exquisite style:--
Thomas H. Reid opens Across the Equator: A Holiday Trip in Java by chiding British travelers for overlooking the Dutch colony, which he considers more beautiful than Japan and rich in archaeological remains over 1,100 years old. The book originated as a series of articles in the Straits Times, revised and arranged to guide a visitor from west to east within two or three weeks. Despite the catalog subjects of geography and history, the excerpts show Reid’s primary interest lies in practical travel—hotels, hill resorts, and the ease of access from Singapore—rather than systematic description of the island’s physical or political landscape.
First Impressions and Colonial Comparisons
Reid’s opening chapter, “First Impressions of Batavia,” frames Java as a neglected rival to British imperial travel routes. He writes that the “average Britisher, weaving the web of empire, passes like a shuttle in the loom” between familiar ports, ignoring foreign colonies. This metaphor of weaving reveals a preoccupation with imperial networks rather than local geography. The author explicitly distances himself from exhaustive guidebooks, yet his text repeatedly measures Java against other destinations: Japan for beauty, Ceylon and India for temple architecture, and the Swiss Alps for mountain scenery. The catalog subject “Description and travel” is thus filtered through a comparative, often defensive, colonial lens.
The Boro Budur and the Limits of Description
In the chapter on Hindu ruins, Reid confronts the inadequacy of written accounts. He confesses that despite reading descriptions before visiting the Boro Budur, “from none of them did we get a correct idea of what we were to see.” He emphasizes that the temple must be seen to be realized, and even photographs fail to convey the ornate lava stonework. Notably, Reid relies heavily on other writers—Miss Marianne North, Miss Scidmore, and Dr. Groneman—for archaeological detail, quoting Scidmore at length on the bas-reliefs. This reliance suggests that Reid’s own expertise lies less in history than in the traveler’s experience of wonder and frustration with secondhand knowledge.
Absence of Javanese Faces in the Sculptures
One of Reid’s most specific observations concerns the Boro Budur’s sculptured figures: “no particularly Javanese type of face or figure is represented—all are Hindu, Hindu-Caucasian and pure Greek.” He notes the complete absence of offensive or indecent figures, and that each figure is draped in flowing robes, not in monotonous regularity. This remark, while brief, points to a tension between the catalog subject “Java (Indonesia) – History” and what the ruins actually depict—a foreign artistic tradition. Reid does not explore this discrepancy further, but his observation invites readers to consider how the island’s historical record is mediated through imported religious art.
Reid’s book is best read as a period travelogue that reveals more about the author’s assumptions than about Java itself. Readers interested in the island’s geography or history should supplement this account with other sources. The text’s value lies in its snapshot of early twentieth-century colonial tourism, its candid admissions of descriptive limits, and its specific, verifiable details about the Boro Budur’s iconography.
That rainy afternoon, Across the Equator left me lingering over Reid’s quiet asides about colonial comforts, the way travel-writing hides more than it reveals. I closed it and let my hand drift along the shelf, pulling down a worn volume that promised, in its own sidelong way, the same half-told story elsewhere: Life in Morocco and Glimpses Beyond — Reading Companion. There it was, that same feeling of sun on stone and unspoken histories.
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